Historical references respect to didactic profile of the 18th century music teacher from three European treatises

Authors

  • Alejandra Lopera Quintanilla Universidad Nacional de San Agustín de Arequipa
  • María del Pilar Lopera Quintanilla Universidad Nacional de San Agustín de Arequipa

Keywords:

Music teacher, 18th century

Abstract

The profile of the music teacher who could rule in Europe during the first half of the 18th century, including his didactic qualities, general knowledge and musical skills, has not been historically studied in depth. However, a careful reading of three important treatises of the time sheds light on this. Therefore, the main objective of this text is to recognize what the didactic profile of the music teacher was in the first half of the 18th century in Europe, based on a review of three texts of the time and the work of their authors: three composers musically virtuosic and potentially didactic. The historical sources studied in this work are Les principes du clavecin (1702) by the composer Monsieur de Saint Lambert, Versuch einer Anweisung die Flöte traversiere zu spielen (1752) by the virtuoso flutist and composer Johann Joachim Quantz, and Versuch über die wahre Art das Clavier zu spielen (1753) by the composer Carl Philipp Emanuel Bach.

Author Biographies

Alejandra Lopera Quintanilla, Universidad Nacional de San Agustín de Arequipa

She graduated in recorder from the Luigi Cherubini Conservatory in Florence – Italy. She is director of the Arequipa Baroque Ensemble and member of the Lopera Trio and principal professor of the Professional School of Arts of the National University of San Agustín de Arequipa.

María del Pilar Lopera Quintanilla, Universidad Nacional de San Agustín de Arequipa

She has a degree in Music Arts from the National University of San Agustín de Arequipa - UNSA. She took specialization courses in harpsichord with Anna Maria Pernafelli in Italy. She is a member of the Arequipa Baroque Ensemble and the Lopera Trio and a principal professor at the Professional School of Arts of the National University of San Agustín of Arequipa.

References

Bach, C. (1753). Versuch über die wahre Art das Clavier zu spielen, H.868, 870. Recuperado de: https://imslp.org/wiki/Versuch_%C3%BCber_die_wahre_Art_das_Clavier_zu_spie-len,_H.868,_870_(Bach,_Carl_Philipp_Emanuel)

Berlin-Brandenburgischen Akademie der Wissenschaften. (2021). Versuch einer Anweisung die Flöte traversiere zu spielen. Recuperado de: https://www.deutschestextarchiv.de/book/view/quantz_versuch_1752?p=5

Booth, E. (2009). The music teaching artist’s bible: Becoming a virtuoso educator. Oxford University Press. Recuperado de: https://books.google.es.books?hl=es&lr=&id=vipnDAAAQ-BAJ&oi=fnd&pg=PR17&dq=The+Music+Teaching+Artist%27s+Bible:+Becoming+a+-Virtuoso+Educator&ots=VuRMj5V7hh&sig=2J2eH66rIwhebCEEBY1QLfFAi9E

Cafiero, R. (2010). La formazione del musicista nel XVIII secolo: Il «modello» dei Conservatori napoletani. Rivista di analisi e teoria musicale, 15 (1), 5-25.

Ferreira, M. (2002). Ferruccio Vignanelli: Ou la Renaissance du clavecin en Italie au XXe siècle (Tesis doc-toral). Universidad de la Sorbona, París, Francia. Recuperado de: http://www.theses.fr/2001PA040224

Guptill, C. y Zaza, C. (2010). Injury prevention: What music teachers can do. Music Educators Journal, 96 (4), 28-34. Recuperado de: https://doi.org/10.1177/0027432110370736

Harris, P. (2017). The virtuoso teacher: The inspirational guide for instrumental and singing teachers. Faber Music. Recuperado de: https://books.google.es/books?hl=es&lr=&id=xBK_DwAAQBAJ&oi=fnd&pg=PT3&dq=the+virtuoso+music+teacher&ots=u1V14je8qs&-sig=P-DuRLzHYtBltaMm8531De6Na3E

Isherwood, R. (1969). The centralization of music in the reign of Louis XIV. French Historical Studies, 6 (2), 156-171.

Koops, W. (2012). Jean Jacques Rousseau, modern developmental psychology, and education. Euro-pean Journal of Developmental Psychology, 9 (Supl. 1), 46-56. Recuperado de: https://doi.org/10.1080/17405629.2012.730996

Lawrence, I. (1985). Aspects of music education in the late eighteenth century. History of Education, 14 (1), 21-34. Recuperado de: https://doi.org/10.1080/0046760850140102

Library of Congress. (s. f.). Les principes du clavecin. Recuperado de: https://www.loc.gov/resource/muspre1800.100554/?sp=1

Library of Congress. (s. f.). Versuch über die wahre Art das Clavier zu spielen. Recuperado de: https://www.loc.gov/resource/muspre1800.101765/?sp=1

Madi, A. y Al-Bakri, T. (2013). De Saint Lambert “Les principes du clavecin”, the first treatise on clavi-chord. Recuperado de: https://repository.najah.edu/handle/20.500.11888/2682

Martínez, E. (2016). La herencia pedagógica de Carl Philipp Emanuel Bach (1714-1788): Los Probe-Stüc-ke (1753) y Sechs neue Clavier-Stücke (1787) desde la perspectiva del Versuch über die wahre Art das Clavier zu spielen (1753, 1762) (Tesis doctoral). Universidad de Murcia, España. Recuperado de: http://www.tdx.cat/handle/10803/369820

Mila, M. (1998). Breve storia della musica. Milan: Einaudi.

Porter, R. (1990). What was the enlightenment? En R. Porter (Ed.), The Enlightenment (pp. 1-11). Londres: Palgrave. Recuperado de: https://doi.org/10.1007/978-1-349-09885-9_1

Quantz, J. (1752). Versuch einer Anweisung die Flöte traversiere zu spielen. Recuperado de: https://imslp.org/wiki/Versuch_einer_Anweisung_die_Fl%C3%B6te_traversiere_zu_spielen_(Quantz,_Johann_Joachim)

Rusinek, G. (2004). The profile of the music teacher in spanish primary schools, according to the teachers themselves. En A. Giráldez et al. (Ed.), Proceedings from the 26th International Society for Music Education World Conference [CD]. Madrid: Enclave Creativa. Recuperado de: https://www.researchgate.net/profile/Gabriel-Rusinek/publication/290582439_The_profile_of_the_music_teacher_in_Spanish_primary_schools_according_to_the_tea-chers_themselves/links/569a317b08ae6169e5563b98/The-profile-of-the-music-tea-cher-in-Spanish-primary-schools-according-to-the-teachers-themselves.pdf

Saint Lambert, M. de. (1702). Les principes du clavecin. París: Christophe Ballard. Recuperado de: https://imslp.org/wiki/Les_principes_du_clavecin_(Saint-Lambert%2C_Michel_de)

Saracho, O. y Spodek, B. (1995). Children’s play and early childhood education: Insights from his-tory and theory. Journal of Education, 177 (3), 129-148. Recuperado de: https://doi.org/10.1177/002205749517700308

Wristen, B. (2000). Avoiding piano-related injury: A proposed theoretical procedure for biomechani-cal analysis of piano technique. Faculty Publications: School of Music, 6. Recuperado de: https://digitalcommons.unl.edu/musicfacpub/6

Published

2020-12-06

How to Cite

Lopera Quintanilla, A., & Lopera Quintanilla, M. del P. (2020). Historical references respect to didactic profile of the 18th century music teacher from three European treatises. Antec: Revista Peruana De Investigación Musical, 4(2), 125–136. Retrieved from https://revistas.unm.edu.pe/index.php/Antec/article/view/97

Issue

Section

Chronicles