Bases del nacionalismo musical en la Argentina (2da parte)

Andrea Gabriela Fusco Morales

doi:10.62230/antec.v8i1.213

Authors

Andrea Gabriela Fusco Morales Facultad de Humanidades, Universidad Nacional del Nordeste https://orcid.org/0009-0008-0885-287X

DOI:

https://doi.org/10.62230/antec.v8i1.213

Keywords:

Nationalism, Orchestral music, Argentine composers

Abstract

This collaboration is an adaptation to the format of a scientific article of the contents of my doctoral thesis on Nationalism in Argentina. It reflects on this movement in Argentine orchestral music and studies the ways in which composers expressed it in their works by incorporating elements from folklore, Indigenous music, and tango. For a study of the musical corpus, a selection of representative works by various composers of the period was made and analyzed based on the object of study. Links were established between the observed features and the characteristics of folk, Indigenous and urban popular music, focusing attention on the ways in which artists crafted these elements with European tools. The construction of nationalism is a conscious decision that involves political, historical, and cultural aspects. Towards the end of the 19th century and the first half of the 20th century, nationalism was prominent both in Argentina and in Latin America and other countries. The second part of my work, which is now presented here, constitutes an analysis of a group of emblematic works on which the nationalist movement in Argentina was built.

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Author Biography

Andrea Gabriela Fusco Morales, Facultad de Humanidades, Universidad Nacional del Nordeste

She was born in Corrientes, Argentina. She holds a bachelor's and a master’s degree in music with a focus on Orchestral and Choral Conducting from the National University of the Litoral. She earned her Doctorate in Arts from the National University of Córdoba, where she conducted research on Nationalism in Argentine orchestral music. She is a professor at the Faculty of Humanities at the National University of the Northeast, director of the University's Choir, and director of the Symphony Orchestra of the Province of Corrientes. She engages in extensive musical activities in the northeastern region of Argentina, performing Argentine, Latin American, and universal repertoires.

References

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