El estilo musical de Alejandro Núñez Allauca

Rafael Leonardo  Junchaya Rojas

doi:10.62230/antec.v7i1.175

Authors

Rafael Leonardo Junchaya Rojas Investigador Independiente https://orcid.org/0000-0003-0109-518X

DOI:

https://doi.org/10.62230/antec.v7i1.175

Keywords:

Peru, Alejandro Núñez Allauca, neoindigenism, postmodernism

Abstract

Knowledge about Peruvian composers from the second half of the 20th century is scarce. This text aims to fulfill this gap by providing an insight into Alejandro Núñez Allauca’s musical style. Núñez Allauca is a composer born in Moquegua that emigrated from Peru 35 years ago and lives permanently in Europe. The analysis of his production shows a solid technical management, a variety of musical genres and strong links to Andean world and Catholic religion. It is not possible to state that Núñez Allauca is a neoindigenist composer, as he is sometimes referred to, but rather a postmodern composer.

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Author Biography

Rafael Leonardo Junchaya Rojas, Investigador Independiente

He is a Peruvian composer, conductor and researcher. He is the son of the doctor and composer Rafael Junchaya Gómez. He began his musical education at the age of seven, learning piano. Two years later he enrolled in the National Conservatory of Music of Peru to study violin. Upon finishing his secondary studies, he entered the Faculty of Architecture of the National University of Engineering of Peru, but returned to the Conservatory in 1988 to specialize in composition. He was a disciple of Enrique Iturriaga and Celso Garrido-Lecca and graduated in 2005 with a second specialty in teaching composition.

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