Musical style of Alejandro Núñez Allauca

Authors

DOI:

https://doi.org/10.62230/antec.v7i1.175

Keywords:

Peru, Alejandro Núñez Allauca, neoindigenism, postmodernism

Abstract

Knowledge about Peruvian composers from the second half of the 20th century is scarce. This text aims to fulfill this gap by providing an insight into Alejandro Núñez Allauca’s musical style. Núñez Allauca is a composer born in Moquegua that emigrated from Peru 35 years ago and lives permanently in Europe. The analysis of his production shows a solid technical management, a variety of musical genres and strong links to Andean world and Catholic religion. It is not possible to state that Núñez Allauca is a neoindigenist composer, as he is sometimes referred to, but rather a postmodern composer.

Downloads

Download data is not yet available.

Author Biography

  • Rafael Leonardo Junchaya Rojas, Investigador Independiente

    He is a Peruvian composer, conductor and researcher. He is the son of the doctor and composer Rafael Junchaya Gómez. He began his musical education at the age of seven, learning piano. Two years later he enrolled in the National Conservatory of Music of Peru to study violin. Upon finishing his secondary studies, he entered the Faculty of Architecture of the National University of Engineering of Peru, but returned to the Conservatory in 1988 to specialize in composition. He was a disciple of Enrique Iturriaga and Celso Garrido-Lecca and graduated in 2005 with a second specialty in teaching composition.

References

Carranza, M. (20 de setiembre de 2021). Alejandro Núñez Allauca, Neo-Indigenismo musical Peruano en la flauta (I). The Babel Flute https://thebabelflute.com/alejandro-nunez-allauca-peruvian-composer

Castro, G. H. (2022). Visión pentatónica de la música incaica. Sistematización conceptual del siglo XX. En A. C. Diferente, Todas las sangres y pensamientos. Memoria I Congreso internacional de Filosofía, Ciencias, Artes y Humanidades (pp. 181–205). Universidad Nacional Pedro Ruíz Gallo.

Cornejo, A. (1984). Sobre el «neoindigenismo» y las novelas de Manuel Scorza. Revista Iberoamericana, (127), 549–557.

Escuela Nacional de Música y Danzas Folklóricas [ENMDF]. (1966). Panorama de la música tradicional del Perú. Casa Mozart.

Kramer, J. D. (1996). Postmodern concepts of musical time. Indiana Theory Review, 17(2), 21–62.

Mendívil, J. (2012). Wondrous Stories: el descubrimiento de la pentafonía andina y la invención de la música incaica. Resonancias, 16(31), 61–77.

Núñez Allauca, A. (1999). Catalogo delle opere. (B. Rossi, Ed.) Pizzicato Verlag Helvetia.

Petrozzi, C. (2009). La música orquestal en el Perú de 1945 a 2005 : Identidades en la diversidad. [Tesis para optar el grado de doctora, Universidad de Helsinki]. http://hdl.handle.net/10138/19395

Pinilla, E. (1980). Informe sobre la música en el Perú. En Historia del Perú (Vol. IX, pp. 363–676). Editorial Juan Mejía Baca.

Pinilla, E. (2007). La música en el sigloXX. En La música en el Perú (2a. ed., pp. 125–213). Fondo Editorial Filarmonía.

Pizzicato Verlag Helvetia. (2009). Alejandro Nuñez Allauca. Beschreibung. https://www.pizzicato.ch/biografie_detail.php?id=89

Reti, R. (1965). Tonalidad, atonalidad, pantonalidad. Estudio de algunas tendencias manifestadas en la música del siglo XX. (J. Homs, Trans.). Ediciones RIALP.

Vega, C. (1997). Mesomúsica. Un ensayo sobre la música de todos. Revista Musical Chilena, 51(188), 75–96. https://dx.doi.org/10.4067/S0716-27901997018800004

Published

2023-06-28

Issue

Section

Articles

How to Cite

Junchaya Rojas, R. L. (2023). Musical style of Alejandro Núñez Allauca. Antec: Revista Peruana De Investigación Musical, 7(1), 18-37. https://doi.org/10.62230/antec.v7i1.175

Similar Articles

1-10 of 117

You may also start an advanced similarity search for this article.