Stylistic trends in the composers of the 2000 Generation in Peru

Authors

DOI:

https://doi.org/10.62230/antec.v7i2.202

Keywords:

Composers, Peru, Styles, 2000 Generation

Abstract

This text offers an analysis of the stylistic trends among composers of the 2000 Generation in Peru, highlighting the diversity and coexistence of compositional styles. Two main axes are presented: the first spans from conventional to experimental music, and the second ranges from nationalist to cosmopolitan music. From these axes, four categories emerge: Modernist Folklorism, Vanguard Nationalism, Cosmopolitanism and Experimentalism. These are not understood as formal movements, but rather as tendencies and approaches that have arisen in an uncoordinated manner in Peru. Examples of works and composers representing these categories are included.

Downloads

Download data is not yet available.

Author Biography

  • Sadiel Cuentas Peralta, Ministerio de Educación

    He has a Bachelor's degree in composition from the Universidad Nacional de Música of Peru and a Master's degree in cultural management from the Universidad de Piura. He has written multiple chamber, symphonic, scenic and electronic works, among which Cadenza, introducción, Allegro (Honorable Mention in the Orchestral Composition Competition of the Conservatorio Nacional de Música, 2006) and Via de la Croce (Honorable Mention from the Asociación Peruano China and the Conservatorio Nacional de Música, 2007). He is also the author of the chamber opera Post Mortem (2012) and the musical El vigilante enmascarado (2013), both with a libretto by Maritza Núñez, and the Concierto para violin y orquesta (2014). The Ministry of Culture of Peru commissioned Tinkuy (2015), Peru's first multilingual songbook, based on traditional Peruvian songs, Cuatro Cantos Amazónico (2017) and Cuatro Cantos Andinos (2018). In 2022 he presented his Misa Quechua premiered by the Coro Nacional de Niños of Peru. He has been a professor at the Universidad Científica del Sur and the PUCP. He currently teaches at the UPC and works at the Ministry of Education of Peru. He is the creator and director of the contemporary Peruvian music festival Musicantes since September 2023. His works are published by Cayambis Music Press.

References

Arroyo, J. (2015). SMAQRA. Ediciones Tempéraments.

Carranza, M. (2019). Tiahuanaco [Partitura para violín y piano].

Cuentas, S. (2014). Concierto para violín y orquesta [Partitura musical].

Cuentas, S. (2022). La formación de públicos y las orquestas sinfónicas nacionales en el Gran Teatro Nacional del Perú [Tesis de maestría, Universidad de Piura]. https://pirhua.udep.edu.pe/handle/11042/5513

Cueto, D. (s.f.). [Biografía]. Daniel Cueto, Composer and Flutist. https://www.danielcueto.com/

Cueto, D. (2014). Suite para tres saxofones altos [Partitura musical].

Dannenberg, R. (2010). Style in Music. En S. Argamon, K. Burns, & S. Dubnov, (Eds.), The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning (pp. 45-58). Springer-Verlag.

Gervasoni, A. (2014). Alchimia [Partitura musical para ensamble y siete voces femeninas].

López, J. (2012). Perú Negro [Partitura musical para orquesta].

Meyer, L. (1989). Style and music: Theory, history, and ideology. University of Pennsylvania Press.

Nicolas, M. (s.f.). Flexura (2015). Jaime E Oliver, Computer Music. http://www.jaimeoliver.pe/flexura

Oliver, J. (2015). Flexura [Partitura musical para dúo de chelos y MANO].

Petrozzi, C. (2009). La música orquestal peruana de 1945 a 2005 Identidades en la diversidad [Tesis doctoral, University of Helsinki]. https://helda.helsinki.fi/items/49d95666-c6d0-4440-9aa0-7cdd3d7cc8b0

Real Academia Española. (s.f.). Cosmopolita. https://dle.rae.es/cosmopolita

Ross, A. (10 de febrero de 2002). Whistling In the Dark. The New Yorker. https://www.newyorker.com/magazine/2002/02/18/whistling-in-the-dark-2

Tagg, P. (2016). Everyday Tonality II: Towards a tonal theory of what most people heard. The Mass Media Music Scholars’ Press. https://tagg.org/mmmsp/EverydayTonalityInfo.htm

UNESCO. (1989). Recommendation on the Safeguarding of Traditional Culture and Folklore. https://en.unesco.org/about-us/legal-affairs/recommendation-safeguarding-traditional-culture-and-folklore

Zúñiga, Á. (2012). Sacrificio, El Último Salto de Nijinsky [Partitura musical].

Published

2023-12-23

How to Cite

Cuentas Peralta, S. (2023). Stylistic trends in the composers of the 2000 Generation in Peru. Antec: Revista Peruana De Investigación Musical, 7(2), 172-191. https://doi.org/10.62230/antec.v7i2.202

Similar Articles

71-80 of 134

You may also start an advanced similarity search for this article.