Los cuartetos de cuerdas de Celso Garrido-Lecca

Clara Petrozzi

doi:10.62230/antec.v10i1.315

Authors

Clara Petrozzi Aurinko - Música de Latinoamérica RY https://orcid.org/0000-0003-4093-5508

DOI:

https://doi.org/10.62230/antec.v10i1.315

Keywords:

Celso Garrido-Lecca, String Quartet, Intercultural Composition

Abstract

Celso Garrido-Lecca’s string quartets are central works in his musical output. In them, he employs all the compositional resources characteristic of his style, which blends elements of Latin American folk music with his personal modernist aesthetic. His exploration of musical color through instrumental techniques is particularly noteworthy. In his later quartets, he also incorporates musical material and works from significant composers, both from folk music and from the European tradition.

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Author Biography

Clara Petrozzi, Aurinko - Música de Latinoamérica RY

She studied violin from the age of eight with Dee Martz, Manuel Díaz, and Yolanda Kronberger in Lima, and with Mario Ortiz and Egon Fellig in Quito, Ecuador. She began her training as a violist in 1982 and also dedicated herself to Suzuki violin pedagogy. In Lima, she was a member of several ensembles, including the Petrozzi Trio, the Pro Arte Quartet, and the Camerata of Lima, and she served as a trainee and summer soloist with the National Symphony Orchestra.

Since 1990, she has been residing in Finland. There, she studied viola with Jouko Mansnerus and Atso Lehto. She holds a bachelor’s degree in Music Pedagogy, specializing in viola, from Metropolia University of Applied Sciences, and a PhD in Musicology from the University of Helsinki. She is also a violin teacher certified by the European Suzuki Association.

She currently works as a violin and viola pedagogue, researcher, artistic director, and violist of the chamber ensemble Aurinko, which is dedicated to the Latin American repertoire.

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