Principios del tratado L’art de préluder aplicados en la Suite op. 5 n.° 3 de Hotetterre

Addington, C. (1984). In Search of the Baroque Flute: The Flute Family 1680-1750. Early Music, 12(1), pp. 34–48. https://doi.org/10.1093/earlyj/12.1.34

Bang, B. (1975). Interpretation of French Music. Early Music, 3(3), pp. 293-295. https://doi.org/10.1093/earlyj/3.3.293

Beghin, T. (2015). The virtual Haydn: Paradox of a twenty-first-century keyboardist. University of Chicago Press. https://doi.org/10.7208/chicago/9780226195353.001.0001

Bowers, J. (1984). The Hotteterre family of woodwind instrument makers. En R. de Reede (Ed.). Concerning the Flute, (pp. 33 - 54). Broekmans en Van Poppel.

Brossard, S. de. (1701). Dictionnaire de musique, contenant une explication des termes grecs, latins, italiens & françois les plus usitez. Christophe Ballard. https://imslp.org/wiki/Dictionnaire_de_musique_(Brossard,_S%C3%A9bastien_de)

Brown, H. M. (1969). Principles of the Flute, Recorder & Oboe. Notes, 26(2), pp. 266-267. https://doi.org/10.2307/896148

Dolmetsch, A. (1915). The interpretation of the music of the 17th and 18th centuries. Handbooks for Musicians. https://books.google.com.pe/books/about/Interpretation_of_the_Music_of_the_17th.html?id=bWBs3Ginx9sC&redir_esc=y

Douglas, P. M. (1968). Rudiments of the Flute, Recorder, and Oboe (Principes de la Flûte). Dover Publications. https://books.google.com.pe/books/about/Principles_of_the_Flute_Recorder_and_Obo.html?id=8S5wKNYYXpYC&redir_esc=y

Grier, J. (2008). La edición crítica de la música. Historia, método y práctica. Akal Ediciones, Cambridge University Press, [1996]. https://doku.pub/documents/grier-jamesla-edicion-critica-de-musica-historia-metodo-y-practica-yl4wm3zkzwqr

Haynes, B. (2001). The Eloquent Oboe: A History of the Hautboy 1640-1700. Oxford University Press. https://books.google.com.pe/books/about/The_Eloquent_Oboe.html?id=LflrQndxBjgC&redir_esc=y

Hilton, W. (1977). A Dance for Kings: The 17th-Century French “Courante”. Its Character, Step-Patterns, Metric and Proportional Foundations. Early Music, 5(2), pp. 160-172. https://www.sjsu.edu/people/gordon.haramaki/courses/performance/s1/Hilton.pdf

Hotteterre, J. M. (1708). Premier livre de pieces pour la flûte-traversiere, Op. 2. Christophe Ballard.

Hotteterre, J. M. (1719). L’art de preluder sur la flute traversiere, Op. 7. L’auteur, Foucault. https://imslp.org/wiki/L%27art_de_pr%C3%A9luder,_Op.7_(Hotteterre,_Jacques)

Hotteterre, J. M. (1715). Pieces pour la flute traversiere, Op 5. L’auteur, Foucault. https://imslp.org/wiki/Pi%C3%A8ces_pour_la_fl%C3%BBte_traversiere,_Op.5_(Hotteterre,_Jacques)

Laszewski, R. M., Higbee, D., & Haas, E. C. (1984). The Baroque Flute. Early Music, 12(4), pp. 587–591. https://doi.org/10.1093/earlyj/12.4.591-a

Lawson. C. & Stowell. R (1999). The Historical Performance of Music: An Introduction. Cambridge University Press. https://assets.cambridge.org/97805216/21939/sample/9780521621939wsc00.pdf

Moelants, D. (2011). The Performance of Notes Inégales: The Influence of Tempo, Musical Structure, and Individual Performance Style on Expressive Timing. Music Perception: An Interdisciplinary Journal, 28(5), pp. 449-460. https://doi.org/10.1525/mp.2011.28.5.449

Murillo, R. (1997). Spanish translation of Johann Joachim Quantz’s esaai d’une méthode pour apprendre á jouer de la flute traversiere. Arizona State University.

Neumann, F. (1965). The French “Inégales”, Quantz, and Bach. Journal of the American Musicological Society, 18(3), pp. 313-358. https://doi.org/10.2307/830704

Neumann, F. (1988). The Notes inégales Revisited. The Journal of Musicology, 6(2), pp. 137-149. https://doi.org/10.2307/763711

Ponsford, D. & Byrt, J. (2000). Interpreting the Notes Inégales Evidence. Early Music, 28(2), p. 333. https://doi.org/10.1093/earlyj/XXVIII.2.333

Rey, B. (2001). Manuels scolaires et dispositifs didactiques. En Y. Lenoir et al. (Dirs.), Le manuel scolaire et l’intervention éducative. Regards critiques sur ses apports et ses limites (pp. 25-40). Editions du C.R.P. https://doi.org/10.24452/sjer.24.3.5384

Rousseau, J.J. (1767). Dictionnaire de musique. Chez la veuve Duchesne. https://archive.org/details/dictionnairedem00rous/page/n5/mode/2up

Sawkins, L. (1993). Doucement and légèrement: Tempo in French Baroque Music. Early Music, 21(3), pp. 364-374. https://doi.org/10.1093/em/XXI.3.365