Prisma (1967): Contexto creativo y análisis de la obra del compositor peruano Enrique Pinilla

Michael Augusto Magán Palomino

doi:10.62230/antec.v8i1.223

Authors

Michael Augusto Magán Palomino Escuela Superior de Formación Artística No Estatal “Richard Wagner” https://orcid.org/0009-0006-3391-4644

DOI:

https://doi.org/10.62230/antec.v8i1.223

Keywords:

Dossier, Enrique Pinilla

Abstract

Enrique Pinilla was a Peruvian composer who belonged to the Generation of 50. The decade of 1950 “represented the end of an era and the starting point of another”, because the compositional activity in Latin America underwent changes that led to a great variety of styles and diversity of aesthetics.

In this sense, it is pointed out that Pinilla's work is small and attributes this to the creative diversification in his works. Pinilla obtained the Fulbright scholarship to study electronic music at Columbia University under the guidance of the American composer Vladimir Ussachevsky and there he composed his only electronic work, Prisma, for magnetic tape, as stated in the catalogue prepared by Edgar Valcárcel in 1987.

Downloads

Download data is not yet available.

References

Chacón, A. (2017). Ley de Snell en Prismas. Universidad Pedagógica y Tecnológica de Colombia. https://pdfcoffee.com/download/prismas-informe-5-pdf-free.html

Fogle, M. (2009). Understanding Electronic Music: A Phenomenological Approach. [Tesis Doctoral, Florida State University, Estados Unidos]. Diginole, FSU's Digital Repository. https://diginole.lib.fsu.edu/islandora/object/fsu:182555/datastream/PDF/download

López, F. (2020). Una aproximación a la música de Enrique Pinilla en la película Espejismo (1972) de Armando Robles Godoy. Universidad Nacional de Música. https://hdl.handle.net/20.500.12767/67

López, J. I. (2022). Este Futuro es Otro Futuro. Universidad Nacional de Música.

Miranda, R. y Tello, A. (2011). La música en Latinoamérica. Secretaría de Relaciones Exteriores de México.

Patterson, N. (2011). The Archives of the Columbia-Princeton Electronic Music Center. Notes, 67(3), 483-502. https://doi.org/10.1353/not.2011.0008

Pinilla, E. (1962, 25 de enero). Posibilidades de la música electrónica. Expreso.

Pinilla, E. (1985). La música en el siglo xx. En Bolaños et al, La música en el Perú (pp. 125-213). Patronato Popular y Porvenir Pro Música Clásica.

Shields, A. (1998). The Columbia-Princeton Electronic Music Center [Folleto de CD]. New World Records. https://nwr-site-liner-notes.s3.amazonaws.com/80521.pdf

Wilkins, M. (2006). Creative Music Composition. Taylor & Francis Group.

Zúñiga, A. (2020). Tradición, vanguardia y peruanidad en tres piezas para guitarra (1987) de Enrique Pinilla (1927-89) [Tesis de maestría, Pontificia Universidad Católica del Perú]. Repositorio de tesis PUCP. http://hdl.handle.net/20.500.12404/17403