La imagen de Felipe Pinglo Alva en la historiografía del criollismo musical peruano

Omar Isaac Rojas Mesía; Jorge De Souza Pacheco

doi:10.62230/antec.v2i1.32

Authors

Omar Isaac Rojas Mesía Pontificia Universidad Católica del Perú
Jorge De Souza Pacheco Pontificia Universidad Católica del Perú

DOI:

https://doi.org/10.62230/antec.v2i1.32

Keywords:

Felipe Pinglo, Peruvian criolla music, musical imaginary, Historiography

Abstract

The “modern self” in Lima in the 1900s was a paradigm of a costal and criollo elite. It is in this context that Pinglo rises as an image of a composer easily identified with the popular, an image that was endorsed in 20th century historiographic accounts to the point of obfusicating not only other authors from this era, but also other facets of this musician that did not align with the Peruvianist pretensions of presenting Felipe Pinglo Alva as a savior of criolla music and the initial constructedness of the creation of this music. Nevertheless, a brief review of the corpus of works by this musician reveals that the number of social songs represents a minority of his creative work.

Downloads

Download data is not yet available.

Author Biographies

Omar Isaac Rojas Mesía, Pontificia Universidad Católica del Perú

Bachelor of Music with a specialty in Double Bass from the National Conservatory of Music of Peru with maestro Ricardo Otárola Yllescas. He has joined different orchestras in Peru such as the National Youth Symphony Orchestra, Philharmonic Orchestra, Ciudad de los Reyes among others. He has been an arranger and producer for Grupo Carbajal of Colombia. He is currently studying a Master's Degree in Musicology at the Pontifical Catholic University of Peru. He is a professor at the Peruvian University of Applied Sciences and at Markham College in Lima, where he is also a member of the Chamber Orchestra.
Jorge De Souza Pacheco, Pontificia Universidad Católica del Perú

Graduated in Sociology from the Pontifical Catholic University of Peru – PUCP, he has complemented his training with studies in Teaching in Musical Education at the José María Arguedas National Higher School of Folklore, where he also works as a teacher. He is also a teacher at the Casuarinas School and the School of Music Contemporary Master Music. As a performing musician he has shared the stage with artists such as Fabiola de la Cuba, Dámaris, Elenco Nacional de Folklore, Magali Luque, Killary, Los Últimas Incas, Las Cantauroras, among others. He is currently pursuing a Master's degree in Musicology from the PUCP.

References

Borras, G. (2012). Lima, el vals y la canción criolla (1900-1936). Lima: Instituto de Etnomusicología - PUCP.

Cuba, C., y Arana, V. (2014). Y vivirá mientras exista la vida: recopilación de la obra del maestro Felipe Pinglo. Lima: autor

Eckmeyer, M. y Cannova, M. P. (s. f.). Historiografía e historia de la música: la historiografía contemporánea y su posible impacto en la historia de la música. Recuperado de: http://sedici.unlp.edu.ar/bitstream/handle/10915/39052/Documento_completo.pdf?sequence=1

Felipe Pinglo Alva el mayor compositor de música criolla de Perú. (2007). S. l. Recuperado de: https://culturaehistoriadeperu.blogspot.com/2007/04/felipe-pinglo-alva-el-mayor-compositor.html

Lloréns, J. A. (1983). Música popular en Lima: criollos y andinos, pp. 15-26. Lima: Instituto de Estudios Andinos; Instituto Indigenista Latinoamericano. Recuperado de: http://flacsoandes.edu.ec:8080/bitstream/10469/3562/4/03.%20M%C3%BAsica%20popular%20en%20Lima...%20Jos%C3%A9%20Antonio%20Llor%C3%A9ns%20Amico.pdf

Lloréns, J. A. (1987). De La Guardia Vieja a la generación de Pinglo: Música Criolla y Cambio social en Lima 1900 - 1940. pp. 253-282. Lima: El Virrey.

Gil, R. (10 de julio, 2017). Felipe Pinglo es el más grande compositor de Latinoamérica [archivo de video]. Lima: Perú21. Recuperado de: a https://peru21.pe/cultura/felipe-pinglo-grande-compositor-latinoamerica-video-86959.

Lloréns, J. A. y Chocano, R. (2009). Celajes, florestas y secretos: una historia del vals popular limeño. Lima: Instituto Nacional de Cultura.

Sarmiento, R. (2018) Felipe Pinglo y la canción criolla. estudio estilístico de la obra musical del bardo inmortal. Lima: Fondo Editorial de la Universidad Nacional Mayor de San Marcos.

Mazzini, Eduardo (2010) En nombre de Dios comienzo. Lima: CPEC

TV Perú. (10 de diciembre, 2013). Sucedió en el Perú - Felipe Pinglo Alva, 1 de 4 [archivo de video]. Recuperado de https://www.youtube.com/watch?v=jcH48AhN7cw

TV Perú. (10 de diciembre, 2013). Sucedió en el Perú - Felipe Pinglo Alva, 2 de 4 [archivo de video]. Recuperado de https://www.youtube.com/watch?v=b7Qxb0kz_Z4

Zanutelli, M. (1999). Felipe Pinglo: a un siglo de distancia. Lima: Diario El Sol