About the Journal

ANTEC: Revista Peruana de Investigación Musical is a biannual academic journal published by the Instituto de Investigación de la Universidad Nacional de Música del Perú (UNM), dedicated to disseminating original research and scholarly contributions on music. Published in both digital and print formats, with two issues per year (June and December), the journal provides open access to its contents and promotes rigorous research, academic exchange, and interdisciplinary dialogue on the historical, social, cultural, and artistic dimensions of music.

ISSN: 2521-8565 / E-ISSN: 2616-681X
DOI: 10.62230/antec

Current Issue

Vol. 10 No. 1: January - June (2026)
View Vol. 10 No. 1: January - June (2026)
DOI: https://doi.org/10.62230/antec.v10i1
Published: 06/11/2026

Full Issue

Dossier

  • Iconographic and Documentary Exhibition

    Aurelio Tello Malpartida, Carla Levy
    19–37
    DOI: https://doi.org/10.62230/antec.v10i1.309

  • Celso Garrido-Lecca in the Memory of Latinoamerican Musical Community

    Álvaro Bitrán , Adina Izarra, Nilo Velarde, Rudy Rivera, Miguel Hart-Bedoya González, Alejandro Cardona, Luis Orlandini, Fernando Valcárcel, Luis David Aguilar, Andrés Posada Saldarriaga, Marco Sadiel Cuentas, Javier Echecopar, Cecilia Cordero , Fernando Carrasco, Alfredo Rugeles
    39–47
    DOI: https://doi.org/10.62230/antec.v10i1.310

  • Chronology: A Portrait of Garrido-Lecca in a Timeline

    Aurelio Tello Malpartida
    49–59
    DOI: https://doi.org/10.62230/antec.v10i1.311

  • The magic of the charango In memoriam Celso Garrido-Lecca (1926-2025)

    Virginia Beatriz Yep Lenginnam
    61–69
    DOI: https://doi.org/10.62230/antec.v10i1.312

  • Celso Garrido-Lecca and Hegel: A Perspective from the Wissenschaft der Logik

    Boris Alvarado
    71
    DOI: https://doi.org/10.62230/antec.v10i1.313

Articles

  • Lost Series: Dodecaphonic Procedures in the Early Work of Celso Garrido-Lecca: A Musical Analysis of Orden n.º 1 for Piano (1953)

    Bruno Tapia Llanos
    75–115
    DOI: https://doi.org/10.62230/antec.v10i1.306

  • Form and structure in Elegía a Machu Picchu by Celso Garrido-Lecca

    Rafael Leonardo Junchaya
    117–138
    DOI: https://doi.org/10.62230/antec.v10i1.303

  • The Musical Object as an Expressive and Compositional Resource in Intihuatana by Celso Garrido-Lecca

    Nicolas Rubio Amoretti
    141–163
    DOI: https://doi.org/10.62230/antec.v10i1.314

  • The String Quartets of Celso Garrido-Lecca

    Clara Petrozzi
    165–192
    DOI: https://doi.org/10.62230/antec.v10i1.315

  • Incidental Music as a Reflection of Artistic Identify. Celso Garrido-Lecca’s Theatrical Compositions (1956-1969)

    Mateo Chiarella Viale
    195–210
    DOI: https://doi.org/10.62230/antec.v10i1.316

  • The emergence of Popular Cantata in Peru: The case of Celso Garrido-Lecca’s Donde nacen los cóndores

    Aurelio Tello Malpartida
    213–245
    DOI: https://doi.org/10.62230/antec.v10i1.317

  • Interpretations of the Folkloric Imaginary in Pequeña Suite Peruana by Celso Garrido-Lecca: A Musical Analysis

    Eduardo Ariel Nuñez Cosco
    247–278
    DOI: https://doi.org/10.62230/antec.v10i1.297

  • Weaving Traditions: Compositional Syncretism in the First Movement of Simpay (1988) by Celso Garrido-Lecca

    Daniel Cueto
    281–297
    DOI: https://doi.org/10.62230//antec.v10i1.318

  • Compositional strategies and interpretative experiences in Danzas Populares Andinas for violin and piano (1979) by Celso Garrido-Lecca

    Zoila Elena Vega Salvatierra
    299–323
    DOI: https://doi.org/10.62230//antec.v10i1.304

Reviews

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