Música incidental de Manuel M. Ponce para La verdad sospechosa de Juan Ruiz de Alarcón

Rodolfo Pérez Berrelleza

doi:10.62230/antec.v6i2.167

Authors

Rodolfo Pérez Berrelleza Universidad Nacional Autónoma de México https://orcid.org/0000-0001-5238-8535

DOI:

https://doi.org/10.62230/antec.v6i2.167

Keywords:

Manuel M. Ponce, Bellas Artes, guitar, orchestra, incidental music, theater

Abstract

This article shows the progress of a research about the incidental music composed by Manuel M. Ponce in 1934 for Juan Ruiz de Alarcón’s La verdad sospechosa, on the loccasion of the inauguration of Mexico’s Palacio de Bellas Artes. The information shown is the result of a literature review of books, thesis, and articles, as well as the consultation of library manuscripts and personal records from people close to Manuel M. Ponce’s heirs. This is done with the objective of reuniting the different movements of this musical work.

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Author Biography

Rodolfo Pérez Berrelleza, Universidad Nacional Autónoma de México

He is a guitarist, researcher and music producer recognized by the Latin Recording Academy with a Latin Grammy in 2017. He graduated from the Faculty of Music of the National Autonomous University of Mexico. He has more than fifteen years of artistic career and specialized critics have defined him as a musician of the first order, expressive and possessor of a masterful technique. As a guitarist he has offered concerts in important venues in Mexico, the United States, Canada, Spain, Romania and Italy, among others. As a soloist he premiered the Fantasía Sinaloense by José Ángel Ramírez with the Orchestra Giovanile del Venetto (Italy), the Insurgente Concerto by the same author with the Sinaloa Symphony Orchestra of the Arts and with the Oltenia Philharmonic (Romania) the European premiere of Music for the stage by Manuel M. Ponce. In his activity as a researcher, he currently collaborates in the Manuel M. Ponce Editorial Project of the UNAM and has been researching everything related to music as a profession for more than ten years. He created the Musicians in Action program where, based on scientific studies on the subject and his experience in the business world, he offers training programs for those musicians who wish to build a legacy that helps others and transforms their lives.

References

Díaz Cervantes, E. (2013). Ponce, genio de México. Vida y época. México: UJED.

De la Cruz, S. J. (2010). Los empeños de una casa; Amor es más Laberinto. México: Cátedra.

Fernández, E. (2019). Los empeños de una casa de Sor Juana Inés de la Cruz, Compañía Nacional de Teatro Clásico, 6 de diciembre de 2018, Teatro de La Comedia, Sala Tirso de Molina (Madrid), 7(2), 955-960.

Miranda, R. (1998). Manuel M. Ponce, Ensayo sobre su vida y obra. México: Ríos y raíces. CONACULTA.

Pérez, R. (2020). Variaciones sobre un tema de Jean Tisserand. México: UNAM