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Vol. 1 No. 2 (2017)
Vol. 1 No. 2 (2017)
DOI:
https://doi.org/10.62230/antec.v1i2
Published:
2017-12-30
Full Issue
PDF (Spanish)
Prelude
Prologue
9 - 10
PDF (Spanish)
Articles
Andean Patriotic Epistemologies in the Martínez Compañón Codex
Alejandro García Sudo
13 - 28
PDF (Spanish)
Eduardo Fernandez’s Contributions to Time Optimization in Classical Guitar Learning
Daniel Hugo Romero Vizcarra
29 - 42
PDF (Spanish)
Conceptual Parallelism between Pictorial Impressionism and Musical Compositions by Claude Debussy:
The Case of Prelude to the Afternoon of a Faun
Mónica Susana Mestanza Revoredo
43 - 58
PDF (Spanish)
Presence of the Double Bass in the Record Production of the Peruvian Vals Criollo from 1940 to 1960
Ricardo León Otárola Yllescas
59 - 70
PDF (Spanish)
Reviews
Moche music: foundations, worldview and duality (2015) and Nasca music: foundations, permanence and change (2016)
Américo Valencia Chacón / Lima: Centro de Investigación y Desarrollo de la Música Peruana
Ricardo López Alcas
73 - 77
PDF (Spanish)
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