Vol. 10 No. 1: January - June (2026)

View Vol. 10 No. 1: January - June (2026)
DOI: https://doi.org/10.62230/antec.v10i1
Published: 06/11/2026

Full Issue

Dossier

  • Iconographic and Documentary Exhibition

    Aurelio Tello Malpartida, Carla Levy
    19–37
    DOI: https://doi.org/10.62230/antec.v10i1.309

  • Celso Garrido-Lecca in the Memory of Latinoamerican Musical Community

    Álvaro Bitrán , Adina Izarra, Nilo Velarde, Rudy Rivera, Miguel Hart-Bedoya González, Alejandro Cardona, Luis Orlandini, Fernando Valcárcel, Luis David Aguilar, Andrés Posada Saldarriaga, Marco Sadiel Cuentas, Javier Echecopar, Cecilia Cordero , Fernando Carrasco, Alfredo Rugeles
    39–47
    DOI: https://doi.org/10.62230/antec.v10i1.310

  • Chronology: A Portrait of Garrido-Lecca in a Timeline

    Aurelio Tello Malpartida
    49–59
    DOI: https://doi.org/10.62230/antec.v10i1.311

  • The magic of the charango In memoriam Celso Garrido-Lecca (1926-2025)

    Virginia Beatriz Yep Lenginnam
    61–69
    DOI: https://doi.org/10.62230/antec.v10i1.312

  • Celso Garrido-Lecca and Hegel: A Perspective from the Wissenschaft der Logik

    Boris Alvarado
    71
    DOI: https://doi.org/10.62230/antec.v10i1.313

Articles

  • Lost Series: Dodecaphonic Procedures in the Early Work of Celso Garrido-Lecca: A Musical Analysis of Orden n.º 1 for Piano (1953)

    Bruno Tapia Llanos
    75–115
    DOI: https://doi.org/10.62230/antec.v10i1.306

  • Form and structure in Elegía a Machu Picchu by Celso Garrido-Lecca

    Rafael Leonardo Junchaya
    117–138
    DOI: https://doi.org/10.62230/antec.v10i1.303

  • The Musical Object as an Expressive and Compositional Resource in Intihuatana by Celso Garrido-Lecca

    Nicolas Rubio Amoretti
    141–163
    DOI: https://doi.org/10.62230/antec.v10i1.314

  • The String Quartets of Celso Garrido-Lecca

    Clara Petrozzi
    165–192
    DOI: https://doi.org/10.62230/antec.v10i1.315

  • Incidental Music as a Reflection of Artistic Identify. Celso Garrido-Lecca’s Theatrical Compositions (1956-1969)

    Mateo Chiarella Viale
    195–210
    DOI: https://doi.org/10.62230/antec.v10i1.316

  • The emergence of Popular Cantata in Peru: The case of Celso Garrido-Lecca’s Donde nacen los cóndores

    Aurelio Tello Malpartida
    213–245
    DOI: https://doi.org/10.62230/antec.v10i1.317

  • Interpretations of the Folkloric Imaginary in Pequeña Suite Peruana by Celso Garrido-Lecca: A Musical Analysis

    Eduardo Ariel Nuñez Cosco
    247–278
    DOI: https://doi.org/10.62230/antec.v10i1.297

  • Weaving Traditions: Compositional Syncretism in the First Movement of Simpay (1988) by Celso Garrido-Lecca

    Daniel Cueto
    281–297
    DOI: https://doi.org/10.62230//antec.v10i1.318

  • Compositional strategies and interpretative experiences in Danzas Populares Andinas for violin and piano (1979) by Celso Garrido-Lecca

    Zoila Elena Vega Salvatierra
    299–323
    DOI: https://doi.org/10.62230//antec.v10i1.304

Reviews