The sense of homeland on two popular Peruvian songs of the 20th century

Authors

DOI:

https://doi.org/10.62230/antec.v6i2.143

Keywords:

Music and nationalism, homeland, creole music, testimonial song, violence

Abstract

This article introduces to the soundscape as an interdisciplinary tool directly linked to the use of different technology that reveals the interaction of humans with the acoustic environment. The article focuses on different technologies that expand the development and study of the soundscape, in addition to presenting some considerations, such as the location recording and the technology used, which not only configures the acoustic composition of the elements that integrate, but also their potential scientific application. The context of technological progress was taken into account, which has allowed obtaining better capture strategies, as well as contrasting examples, which allow us to expand our study in the cataloging and synthesis bird calls. Different problems that should be considered during the realization of the soundscape were discussed, such as background noise and imitative bird songs, which hinder the algorithmic recognition of the bird calls found in soundscapes. This creative discipline generates works that integrate technological tools that open up possibilities in both artistic and scientific work.

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Author Biography

  • Marino Martínez Espinoza, Universidad Nacional Mayor de San Marcos

    He is a guitarist, composer, teacher and researcher. He has a degree in Education, Art and Culture from the José María Arguedas National School of Folklore and has completed his master's studies in Anthropology from the Universidad Nacional Mayor de San Marcos. As a guitarist he has given concerts in Latin American and European countries. He is director of the publishing house Abril Ediciones Musicales and he is a research director of Caminos del Inka, Inc., based in Chicago. He is the author of the book Manuel Acosta Ojeda, art and wisdom of criollismo, as well as various articles in Peruvian and Latin American publications. He is director of Yaku Taki – Documentary Center of Traditional Peruvian Music. He currently coordinates the creation of the Bicentennial Sound Library for the Special Bicentennial Project of the Ministry of Culture of Peru.

References

Anderson, B. (1983 [1993]). Comunidades imaginadas. Reflexiones sobre el origen y la difusión del nacionalismo. México. Fondo de Cultura Económica.

Berlin, I. (2020). [Ed. Henry Hardy] Sobre el nacionalismo. Textos escogidos. Página indómita.

Hobsbawm, E. y Ranger, T. (Eds.) (2002 [1983]). La invención de la tradición. Barcelona. Crítica.

La República. (17 de julio de 2022). Morales Bermúdez. ¿Qué papel tuvo el dictador en la creación de “Contigo Perú”? Fuente: https://larepublica.pe/datos-lr/respuestas/2022/07/15/francisco-morales-bermudez-que-papel-tuvo-el-dictador-en-la-creacion-del-contigo-peru-augusto-polo-campos-seleccion-peruana-atmp/

Mendívil, J. (2016). En contra de la música. Herramientas para pensar, comprender y vivir las músicas. Buenos Aires. Gourmet Musical Ediciones.

VIDEOGRAFÍA

Agencia de Noticias Andina. (29 de marzo de 2022) Perú-Paraguay: Vibrante “Contigo Perú” a estadio lleno. YouTube. https://www.youtube.com/watch?v=t3Nu2jsushc

Eduard Montano. (4 de octubre de 2017) Contigo Perú Spot FPF y Ministerio de Cultura. YouTube. https://www.youtube.com/watch?v=WqnXNzaks4s.

TV Perú. (2 de noviembre de 2016). Sucedió en el Perú - Augusto Polo Campo - 31/10/2016. YouTube. https://www.youtube.com/watch?v=m_XNrFaXz-A

Trome Perú. (24 de julio del 2021). La canción de Polo que nos hace llorar de la emoción. YouTube https://www.youtube.com/watch?v=xsiClAzBjuI

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Published

2022-12-29

How to Cite

Martínez Espinoza, M. (2022). The sense of homeland on two popular Peruvian songs of the 20th century. Antec: Revista Peruana De Investigación Musical, 6(2), 94-105. https://doi.org/10.62230/antec.v6i2.143

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