El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano

José Ignacio López Ramírez Gastón

doi:10.62230/antec.v4i1.77

Authors

José Ignacio López Ramírez Gastón Universidad Nacional de Música https://orcid.org/0000-0003-2444-5437

DOI:

https://doi.org/10.62230/antec.v4i1.77

Keywords:

Rock, Popular music, Peruvian Music, National Rock, Translocality, Nationalism

Abstract

The involvement of rock music in the development of music communities in Peru is an unexplored theme in the academic world. In the construction of national and regional models of a distinctive musicality, popular urban music of foreign origin has not been considered; nor has it been considered as an element in the formation of an identity governed by the discursive parameters of the nation-state. In this work, we explore the confrontations and dichotomies that are maintained as foreign in the subject of rock and in the communities of national and global rock music.

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Author Biography

José Ignacio López Ramírez Gastón, Universidad Nacional de Música

He has a Doctor and Master of Music from the University of California San Diego and a Bachelor's degree from the Department of Comparative Studies at the Ohio State University. He is currently Coordinator of the Laboratory of Electroacoustic Music and Sound Art of the National University of Music and Researcher of the Institute of Ethnomusicology of the Pontifical Catholic University of Peru. As a musical researcher and sound artist, his line of work is focused on the processes of reception and perception of transnational musical phenomena and the construction of musical identities from the imaginaries of locality and globality.

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