Vol. 8 No. 1 (2024)

View Vol. 8 No. 1 (2024)

Published: 2024-06-27

Full Issue

PDF (Spanish)

Prelude

Editorial

12 - 15
- PDF (Spanish)

Dossier

César Bolaños - Intensidad y Altura (1964)

Pía Alvarado Arróspide

19 - 27
- PDF (Spanish)
Edgar Valcárcel - Invención (1966)

Yemit Ledesma

29 - 30
- PDF (Spanish)
Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla

Michael Augusto Magán Palomino

31 - 40
- PDF (Spanish)
Alejandro Núñez Allauca, Gravitación Humana (1970): Beyond the melody

Mark Contreras Waiss

41 - 46
- PDF (Spanish)
Arturo Ruiz del Pozo, Selvynas (1978): Brief annotations

Álvaro Antonio Ocampo Grey

47 - 54
- PDF (Spanish)
Luis David Aguilar - Hombres de viento (1978)

David Alonso Aguilar Valdizán

55 - 56
- PDF (Spanish)
Entrevista a Arturo Ruiz del Pozo (1949) por Julio Mendívil

Julio Mendívil

59 - 63
- PDF (Spanish)
Interview with José Sosaya Wekselman (1956) by Zoila Vega Salvatierra

Zoila Vega Salvatierra

65 - 69
- PDF (Spanish)
Interview with Rajmil Fischman (1956) by Marino Martínez Espinoza

Marino Martínez Espinoza

71 - 82
- PDF (Spanish)
Interview with Gilles Mercier (1963) by Luis Alvarado

Luis Alvarado

83 - 87
- PDF (Spanish)
Rafael Leonardo Junchaya (1964): A personal testimony

Rafael Leonardo Junchaya Rojas

89 - 92
- PDF (Spanish)
Interview with Jaime Oliver La Rosa (1979) by Aurelio Tello

Aurelio Tello Malpartida

93 - 100
- PDF (Spanish)
Interview with Juan Arroyo (1981) by Alonso Almenara

Alonso Almenara

101 - 111
- PDF (Spanish)

Articles

Bases of musical nationalism in Argentina (2nd part)

Andrea Gabriela Fusco Morales

114-140
- PDF (Spanish)
Cathedral music and sounds of the city in Huamanga during the transition from the Viceroyalty to the Republic: 1797 – 1838

Franco Giovanni Ayarza Chávez

142 - 61
- PDF (Spanish)
Music as a Server of Drama in the Operetta “El cóndor pasa…” (The Condor passes…) by Daniel Alomía Robles

Luis Fernando Ruiz-Pacheco

162 - 184
- PDF (Spanish)
Timba in Cuba and Peru: a comparative musical analysis between two musical bands

Abel Páez Díaz

186 - 220
- PDF (Spanish)
The singing of Alicia Maguiña Málaga in “El Veneno” from 1976: An analysis of her vocal style and performance

Josué Daniel Salvio Aldana

222 - 248
- PDF (Spanish)
About Matrices and Polyrhythms

Josué Alexis Lugos Abarca

246 - 261
- PDF (Spanish)
Music, technology and hegemony: César Bolaños and the transgressions of popular music

Luis Alberto Alvarado Manrique

262 - 272
- PDF (Spanish)