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Vol. 7 No. 1 (2023)
Vol. 7 No. 1 (2023)
DOI:
https://doi.org/10.62230/antec.v7i1
Published:
2023-06-28
Full Issue
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Prelude
Presentation
12 - 14
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Articles
Musical style of Alejandro Núñez Allauca
Rafael Leonardo Junchaya Rojas
18 - 37
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The music of Alejandro Núñez Allauca
Marco Sadiel Cuentas Peralta
38 - 48
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Contribution of Chalena Vásquez to Peruvian music history’s teaching for school students
Francisco Alonso Caro Palomino
50 - 72
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Music in the National Folklore Ensamble: notes and reflections on its beginning and its subsequent projection, on the 50th anniversary of its foundation
Ricardo López Alcas
74 - 97
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Finally, the sounds of nineteen-century Mexico are no longer so distant: what implies listening again to the Te Deum laudamus (1835) by José Antonio Gómez?
John G. Lazos
98 - 125
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De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
Juan Carlos Aliaga del Bosque
126 - 140
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Transformations of cumbia on the north coast of Peru in the first two decades of the XXI century
Oscar Jeanluck Burgos Segura, Víctor Hugo Ñopo Olazábal
142 - 174
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Musical Practices
Historical tour of the viola in Lima from 1908 to 1940
Valeria Salas Díaz
177 - 193
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Peruvian musical nationalism in the guitar repertoire of Luis Justo Caballero, within the works Una canción para Claudio Luis and Andina I
Diana Villena Bustamante
195 - 214
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Ergonomics as a preventive factor of musculoskeletal injuries in classical guitar performers: An approach from practice
Álvaro Jesús Yovera Guillén
215 -232
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Reviews
History of Peruvian cumbia: from tropical music to chicha (Institute of Peruvian Studies, 2022) Dr. Jesús Cosamalón Aguilar
Percy A. Flores Navarro
235 - 237
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Javier Echecopar Mongilardi (2022). The music of Peru. Behind the codes of our cultural identities. AYLA, ALARTE, Peru Bicentennial 2021
Aurelio Tello Malpartida
239 - 242
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Abel Rozas Aragón (2022) Cultural Miscellany of Cusco. Cusco, Author's Edition
Daniel Dorival García
243 - 245
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